A lawyer, Abu Laila, returns to Ramallah but is forced to drive a taxi cab to make a living. The details build in this "day in the life" movie that shows the comic despair in a society where even the donkeys gone mad are forced to keep plodding along. Abu Laila's breakdown comes after a day that incudes witnessing a bombing, carrying an ex-prisoner and then a widow trying to decide whether to go first to the cemetary or hospital. But after he grabs a microphone and starts screaming at his own people, he too gets in his car and simply starts driving again. Director and writer Rashid Masharawi provides a subtle and perfectly timed ending. Unfortunately, I saw the film on the day it closed at the Museum of Modern Art; read the New York Times review here. Maybe it's available on Netflicks?
Notes on Orientalism (and notes for students) by an uneasy lover and long time practitioner of the "Oriental"dance and yogic arts....
Tuesday, June 2, 2009
Movie: "Laila's Birthday"
A lawyer, Abu Laila, returns to Ramallah but is forced to drive a taxi cab to make a living. The details build in this "day in the life" movie that shows the comic despair in a society where even the donkeys gone mad are forced to keep plodding along. Abu Laila's breakdown comes after a day that incudes witnessing a bombing, carrying an ex-prisoner and then a widow trying to decide whether to go first to the cemetary or hospital. But after he grabs a microphone and starts screaming at his own people, he too gets in his car and simply starts driving again. Director and writer Rashid Masharawi provides a subtle and perfectly timed ending. Unfortunately, I saw the film on the day it closed at the Museum of Modern Art; read the New York Times review here. Maybe it's available on Netflicks?
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